About The Author

JUAN F. CULAJAY JR. ("FRANK")

Founder of God is Digital and Fractalism
Explorer of Patterns | Student of Science | Seeker of Truth

Juan Culajay

I am a scientist and researcher with more than 18 years of experience in the life sciences. My formal training is in protein chemistry, molecular biophysics, and molecular biology, which I studied at Florida State University. Later, I spent six years at MD Anderson Cancer Center investigating DNA repair proteins. Throughout my career, I have focused on understanding the structures and processes that underpin life at the molecular level.

A Journey Beyond the Laboratory

My investigation into tridactyl motifs began with a family heirloom—a figure from Guatemala that has been in my family for generations. At first, it seemed unusual. On closer examination, I realized it shared striking traits with figures found all over the world.

What started as a personal curiosity grew into a global research effort. I began documenting artifacts, sculptures, petroglyphs, and myths that repeated the same motifs: three-digit hands, pronounced brow ridges, and T-shaped faces.

Global Patterns

Through my research, I have connected over 40 locations worldwide where these same features appear—not only in sculptures, but also in pottery, textiles, and petroglyphs. From the Olmec and Mezcala in Mexico, to the Chavín and Chimu in Peru, to the Hongshan culture in China, to the Nomoli and Pombo in Africa, and the petroglyphs of Mongolia—the same diagnostic traits reappear.

Evidence and the Archive

The most controversial, and perhaps the most important, of these are the Nazca mummies, particularly the J-Type. CT scans reveal tridactyl extremities and cranial anomalies in astonishing anatomical detail. These findings link ancient art and myth with preserved biological evidence in ways that cannot be ignored.

To share and organize this research, I created Tridactyls.online, a sub-brand of God is Digital. The site is a living archive that collects evidence, artifacts, and studies from across disciplines. Its mission is simple: to let the patterns speak for themselves.

Why I Continue

For me, this work is not about proving a single theory, but about documenting evidence so it can be examined, debated, and tested. My background in science compels me to approach this with rigor, while my personal journey drives me to keep seeking answers.

What began with a figure from my father has become a lifelong investigation into one of humanity’s most intriguing mysteries.